Close up image of a fresh fig cut in half on a wooden chopping board with walnut pieces. Words over the top: Songs of the Spirit: goodness, Faith in Grey Places

Songs of the Spirit: goodness (a poem)

This is part of a series of poems on the virtues described as the fruit the spirit in Galatians 5:22-23. Once again, I’m struck by how much I discover when I get out my concordance and start looking at the Greek words. 

Take, for example, Jesus’s words in Matthew 7:17 where he says that every “good” tree bears “good” fruit. These are two different words in the Greek, but many English translations render both words as “good”. 

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Picture of an empty stone coffin with a marble plaque above it quoting words from Mark 16 where the angels say Jesus is risen. Text over the top: The strangest part (a poem celebrating the resurrection stories of Jesus) Faith in Grey Places

The strangest part (a poem celebrating the resurrection stories of Jesus)

Bible references for this poem: Matthew 27:5–54, Matthew 28:1–8, Mark 15:37–39, Mark 16:1–7, Luke 24:1–43, John 20.
Also: 2 Corinthians 3, Hebrews 10:19–25.

I get the impression the resurrected Jesus had a lot more fun than the pre-resurrected Jesus. 

During his ministry, Jesus frequently retreated to secluded areas in order to pray. He was pulled into wearying disputes, by his disciples and the crowds. Also, by and large, he kept himself within the laws of physics – the notable exception being when he walked on water. 

And the whole time he was walking a fine line between concealing and revealing who he was. 

Continue reading The strangest part (a poem celebrating the resurrection stories of Jesus)
Paper cut-out of a tomb with the stone rolled away, against a brown background with light seeping through from above. Text: A question, not a criticism (a poem reflecting on the resurrection accounts) Faith in Grey Places

A question, not a criticism (a poem reflecting on the resurrection accounts)

Bible references for this poem: Matthew 28:1–15, Mark 16, Luke 24:1–49, John 20:1– 23.

Jesus’s resurrection is the best surprise ending ever. It’s so good, so fitting, so unexpected, so inevitable, so awe-inspiring, so triumphant, so impossible to make up.

The accounts of the resurrection are in Matthew 28:1–15,  Mark 16, Luke 24:1–49 and John 20:1–23.

As I read through them this week I was struck by the number of questions that Jesus and the angels ask Jesus’s followers. The most famous is “Woman, why are you weeping?” when Jesus meets Mary Magdalene but she doesn’t recognise him. But there are several others.

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A single cross standing on a dark plain, silhouetted on a blue and purple sunset, with the words: Father, forgive (two poems inspired by Jesus's words on the cross) Faith in Grey Places

Father, forgive (two poems inspired by Jesus’s words on the cross)

Bible references for these poems: Luke 23:33–35.
Also: John 14:25–31, John 16:5–15.

Two short poems this week, both reflecting on a prayer Jesus made whilst he was on the cross on Good Friday: “Father, forgive them, for they don’t know what they are doing.” 

It’s recorded in Luke 23:33–35, though some manuscripts don’t include it. Curiously, the NET footnotes say that “even those who regard the verse as inauthentic literarily often consider it to be authentic historically.”

Continue reading Father, forgive (two poems inspired by Jesus’s words on the cross)
Close up picture of a rich woman in a large ornate room, sitting on a red and gold couch, wearing a tiara, looking out towards the light with a concerned look on her face. Has the text: His blood and his body, a poem reflecting on when Pilate washed his hands

His blood and his body (a poem reflecting on when Pilate washed his hands)

Bible and other references for this poem: Matthew 27:11–26, Mark 15:1–15, Luke 23:1–25, John 18:28–19:16.
Shakespeare’s ‘Macbeth’: Act One, Scene V; Act One, Scene VII; Act Two, Scene II; Act Five, Scene I.
Also: Matthew 23:27, Daniel 7:28.

Last week I wrote that I’ve written these poems starting from a blank slate, meaning the end result often surprises me. Again, this one surprised me.

Also, I hope you like Shakespeare.

I wanted to reflect on Pilate’s agency, especially how on Good Friday he tried to wash his hands in public and absolve himself from the guilt of Jesus’s death. The account is in Matthew 27:11-26, Mark 15:1-15, Luke 23:1-25 and John 18:28-19:16.

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Sunset over the sea with small waves crashing close to the camera. Text over the top: The Longest Sabbath - A poem reflecting on Jesus's prayer: "Not my will but yours." Faith in Grey Places

The Longest Sabbath (a poem reflecting on Jesus’s prayer: “Not my will but yours”)

Bible and other references for this poem: Matthew 26:36–46, Mark 14:32–42. Luke 22:39–46.
Also: Genesis 22:15–19, John 1:1–3, John 11:42, John 17:1–5, The Lord of the Rings: The Return of the King by J.R.R. Tolkien.

I’ve written these poems starting from a blank slate, meaning the end result often surprises me. This one… this one really surprised me. In short, I started out wanting to write about Maundy Thursday, but ended up writing something peaceful set on Holy Saturday. I also cried a lot while I was writing it (but in a good way, I think?) 

I wanted to reflect on Jesus’s agency and will, when he prayed in the garden of Gethsemane, the night before his crucifixion. He was so overwhelmed with sorrow, knowing what was about to happen, that he asked God (the Father) if it was possible for him not to suffer. But, having prayed this, also prayed that the Father’s will be done, not his own.

The account is in Matthew 26:36-46, Mark 14:32-42 and Luke 22:39-46.

Continue reading The Longest Sabbath (a poem reflecting on Jesus’s prayer: “Not my will but yours”)
Brown parchment background with text over the top: Don't ask (a poem about Jesus debating on his own terms) Faith in Grey Places

Don’t ask (a poem about the debates Jesus had)

Bible references for this poem:
Matthew 21:23–29, Mark 11:27–33, Luke 20:1–8. (Jesus’ authority is questioned.)
Matthew 12:38–42, Mark 8:11–13, Luke 11:29–32, John 2:18–22. (Jesus is asked for a sign.)
Matthew 22:15–23:36, Mark 12:13–40, Luke 20:20– 47. (Jesus is asked about paying taxes.)
Also: Matthew 9:9–17, Mark 2:13–28, Luke 5:33–39. (Jesus eats with ‘sinners’.)
Also: Matthew 15:1–20, Matthew 19:1–10, Mark 7:1– 23, Mark 10:1–12, Luke 7:36–50, Luke 10:25–37, Luke 13:1, Luke 15:1–7, John 7:10–24.

This week I wanted to explore the idea of holding your own in a debate intended to undermine you. I’m looking at it in the context in the week before Jesus’s crucifixion, when he was questioned in the temple. In particular, when he was asked by what authority he said and did the things he did. 

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Profile picture of a young donkey with the text over the top: My neighbour's colt, a poem inspired by Jesus's entry into Jerusalem. Faith in Grey Places

My neighbour’s colt – a poem inspired by Jesus’s entry into Jerusalem

Bible and other references for this poem: Matthew 21:1–10, Mark 11:1–11, Luke 19:28–40, John 12:12–19.
Also: Zechariah 9:9–10, Isaiah 11:3, Exodus 20:15–16, Deuteronomy 6:5, ‘Dear Lord and Father of Mankind’ by John Whittier.

In this poem I wanted explore the idea of following orders in the context of Jesus’s triumphal entry into Jerusalem on Palm Sunday, a week before his crucifixion.

When systemic injustice is uncovered, you often hear this point raised: can the rank and file be blamed for complying with unethical instructions from their commanding officers?

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Neutral choice (a poem inspired by Mary of Bethany when she anointed Jesus with spikenard)

Bible references: Matthew 26:6–13, Mark 14:3–9, John 12:1–11.

For lent and Easter 2021, I’m writing a series of poems, each exploring the theme of agency through the lens of stories from Jesus’s passion. This first one is inspired by Mary of Bethany when she poured a pint of spikenard over Jesus’s head.

Actually, the gospel accounts vary. 

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