This is part of the series of letters I’m writing to people listed in Hebrews 11 as the “cloud of witnesses” who went before us. This one is the second of two letters to Moses. The first letter is on my blog here.
The author of Hebrews mentions Moses both as a young man and as a much older one, when he led the Israelites out of Egypt. Far from how Hollywood is wont to portray him, Moses was 80 years old during the Exodus and, I suspect, someone who stammered (Exodus 4:10, Exodus 6:12 – albeit there are other ways to interpret these verses).
Continue reading Trusting God’s goodness: a letter to Moses
This is part of the series of letters I’m writing to people listed in Hebrews 11 as the “cloud of witnesses” who went before us. This one is the first of two letters to Moses.
When the author of Hebrews writes about Moses, there are several “by faith” statements. In this letter, I’m going to focus on the first two: about how he refused to be considered an Egyptian, and how he left Egypt.
Continue reading Passion and justice: a letter to Moses
This is part of the series of letters I’m writing to people listed in Hebrews 11 as the “cloud of witnesses” who went before us. This one is to Moses’s mother, Jochebed.
We’ve moved from Genesis to the beginning of the book of Exodus.
Continue reading A mother’s courage: letter to Jochebed
“I wonder if I have the capacity to manage something so overwhelming.”
Crystal Pite, choreographer.
The Royal Ballet’s production of Flight Pattern is about the experiences of refugees. Its choreographer, Crystal Pite, said the ballet was her way of coping with events happening in the world.
I went to the cinema live-stream in 2019. I was determined to see it after hearing the principal, Marcelino Sambé, speak about his experience of dancing it.
He said many of the ballet’s movements were things that Pite had observed in refugees. So he would bring his hands to his face, rub away and stretch his hands as far from himself as possible. Refugees are, he said, trying to remove their situation from themselves, from their skin. A lot of their movements are triggered by pain.
In dancing his part, he felt a lot of anger, and a sense of helplessness.
Continue reading Christmas 2020: Week 3, Day 3: Overwhelmed
“I’ll give you countless amounts of outright
Acceptance if you want it”
Alanis Morissette’s song ‘You Owe Me Nothing In Return’ articulates a lot of what unconditional love looks like.
It refrains again and again how the person she’s speaking to owes her nothing. It’s not that what she’s giving isn’t valuable or doesn’t come at a cost. But she gives without expectation of repayment, saying, ‘This is the only kind of love, as I understand it / That there really is.”
In an interview she explained the song was about wanting for other people what they wanted for themselves, but without sacrificing her own life and beliefs. She said supporting people in their choices, whilst being honest about her own choices – even if they were different – was the ultimate loving, healthy interaction.
Continue reading Christmas 2020: Week 3, Day 2: Judgement